Lee’s CV

.

Lee Salomone Selected 2020 – Curriculum Vitae

selected solo exhibitions

October 2020 Art of Observation, Gallerysmith Project Space, Melbourne, Australia

November 2016Bronze Age,Gallerysmith Project Space, Melbourne, Australia

June 2016 witness,The Light Gallery, Centre for Creative Photography, Adelaide

October 2014  The Beauty of small moments Gallerysmith Project Space, Melbourne, Australia

September 2013Reflektionen Atelier Terra, Berlin, Germany May 2013Hirsute collectionFeltspace, Adelaide, AustraliaSeptember 2012Other voicesAustralian Experimental Art Foundation, Adelaide, AustraliaJuly 2010der letzte wild lebende Fisch Galerie Kurt im Hirsch, Berlin, GermanySeptember 2009interconnected Gallery 25, Mildura, Victoria, AustraliaSeptember 2008new work, old concerns Watch This Space, Alice Springs, AustraliaApril 2008speicherplatzgalerie december, Berlin, GermanyMarch 2008letting goProspect Gallery, Adelaide February 2007after imageGreenaway Art Gallery. Adelaide. Australia October 2005Silent Installationsgalerie kurt im hirsch, Berlin, GermanyMay 2004planetary and personalGreenaway Art Gallery. Adelaide. AustraliaMarch 2004TransferenceTin Sheds Gallery, Sydney, AustraliaJuly 2003Between beauty and theoryGabriel Gallery, Melbourne, AustraliaNovember 2002Between beauty and theoryGallery 4A, Sydney, AustraliaSeptember 2001 Human NatureGreenaway Art Gallery. Adelaide. AustraliaMarch 2001 footnotes from a peripheryRiddoch Art Gallery, Mt. Gambier, South AustraliaAugust 2000Between beauty and theoryWatch this Space, Alice Springs, NT, AustraliaJuly 1999footnotes from a peripheryExperimental Art Foundation, AdelaideFebruary 1999EvidenceNexus Gallery, AdelaideApril 1997Untitled6 x 3 metre billboard, AdelaideDecember 1994As seen on TVLooking at the Billboard, AdelaideOctober 1993Intermittent[RE] Gallery, AdelaideJuly 1993 OpenInspectionCritical City, AdelaideOctober 28 1992Missing in ActionPost West, Adelaideselected group exhibitions December 2019Finalist, 10thProspect Portrait Prize,Newmarch Gallery, Prospect, Adelaide, AustraliaJune 2019small works 2019, Brunswick Street Gallery, Fitzroy, Melbourne, Australia October 2017Finalist, 2017 Whyalla Art Prize, Whyalla South AustraliaSeptember 2017Plant Cure, Central Booking, Haber Space, New York, USAAugust 2017 Side by Side II,Prospect Gallery, Adelaide, AustraliaMay 2017Tree Stories,Section #1 Gallery, Thebarton, Adelaide, Australia March 2017artroom5, Adelaide, AustraliaFebruary 2017Hand over,Murray Bridge Regional Gallery, South AustraliaOctober 2016Breezeway House Warming Art Exhibition, Aldinga Arts EcoVillage, Aldinga, SA October 2016Finalist, The Heysen Prize for Landscape 2016,Hahndorf Academy, Hahndorf, SAOctober 2015Finalist, Whyalla Art Prize 2015, Whyalla South AustraliaAugust 2015CACSA Contemporary, Light Square Gallery, Adelaide, South AustraliaJune-July 2015Winter Solstice, Gallerysmith, North Melbourne, Victoria, AustraliaJune 201532nd Sculpture Survey 2015, Gomboc Gallery, Western Australia May-June 2015Provenance,Adelaide Central School of Art, Adelaide, South AustraliaFeb-March 2015Pocket Art,Gallery 1885, Tea Tree Gully, South AustraliaAugust 2014Of Obscured Significance, Murray Bridge Regional Gallery, South AustraliaOctober 2013Galerie Gondwana, Berlin, GermanyJuly 2013Revealed2: CollectorSpace, Anne & GordonSamstag Museum Of Art, AdelaideJuly 2013Crystal Palace, Flinders University Art Museum, Adelaide, AustraliaMay 2012 Finalist, 37th Alice Prize,Araluen Arts Centre, Alice Springs, Australia,May 2012The Watershed Art Prize, John Harvey Galler, Salisbury, Adelaide, SAApril 2012CACSA@70 Contemporary Art Centre of South Australia, Adelaide, SA March 2012Finalist, 2012 ForestrySAWood Sculpture Competition, Riddoch art gallery, SA March 2012Finalist, Limestone Coast Art Prize,Keith Institute, South Australia, December 2011Finalist, Prospect Portrait Prize 2011,Prospect Gallery, Adelaide, December 2011GenerationsWollongong City Gallery, Wollongong, NSW, AustraliaAugust 2011SelectionSection #1 Gallery, Adelaide, Australia June 2011Materials and Historiesartroom5 Adelaide, Australia
selected group exhibitions(cont’d)page 2March 2011Home Stories Adelaide Central Gallery, AdelaideOctober 2010The New NewAdelaide, AustraliaFebruary 2010Home is where the heart is Migration Museum, 2010 Adelaide Festival, AdelaideDecember 2009Finalist, Prospect Portrait Prize 2009, Prospect Gallery, AdelaideApril 2009Murray Darling Palimpsest #7, Mildura, Victoria, AustraliaNovember 2008Art Forum Kulanshi 2008Art Centre Kulanshi, Astana, KazakhstanJune 2008Breeding GroundJam Factory, AdelaideSeptember 2007Drei Traeumergalerie kurt im hirsch, BerlinNovember 2006in other wordsArtSpace, Adelaide Festival Centre, Adelaide, Australia August 2005Finalist, The Waterhouse natural history Art Prize, South Australian Museum. AdelaideAugust 2003Finalist, The Waterhouse natural history Art Prize, South Australian Museum. AdelaideMay 2003Sydney Fong Gallery, Geraldton, West AustraliaApril 2003Watch this Space, Alice Springs, Northern Territory, AustraliaNovember 2002Installations StillsCentre for Contemporary Photography, Melbourne, AustraliaFebruary 2002terra primusRed Room Gallery, AdelaideOctober 2001CaveatTop Floor Gallery, AdelaideApril 2001 Palimpsest #4Red Cliffs, Victoria, AustraliaOctober 2000Installations StillsContemporary Art Centre of South AustraliaAugust 2000 CountryPort Pirie Regional Art Gallery, South AustraliaMarch 2000 Palimpsest #3Mildura, Victoria, AustraliaSeptember 1999Landing2Contemporary Art Centre of South Australia, AdelaideMarch 1999Palimpsest #2Mildura Arts Centre, Mildura, VictoriaOctober 1998MasqueNexus Gallery, AdelaideSeptember 1998Beware of the DogNorth Adelaide School of Art, AdelaideOctober 1996Finalist, Gasworks Outdoor Sculpture ExhibitionMelbourne, AustraliaJuly 1996the human form as artProspect Gallery, AdelaideMay 1996polar madloveNorth Adelaide School of Art, AdelaideFebruary 1996 Fringe Gallery, Adelaide Fringe Festival, AdelaideJuly 1995MaterialsNorth Adelaide School of Art, AdelaideFebruary 1994Great ManifestationsLion Arts Centre, Adelaide Fringe FestivalSeptember 1993Parcel Post ShowLinden Gallery, Melbourneselectedprofessional development June 2018Researching artefacts & archaeological collections in Southern ItalyApril 2018Research trip toAnangu Pitjantjatjara Yankunytjatjara lands, South AustraliaOct 2017Volunteer worker at Ninuku Arts, Kalka, Anangu Pitjantjatjara Yankunytjatjara lands, SA2014 –2017Part co-ordinator of Dancing Room2013Lived, exhibited & worked in Berlin2012Lived & worked in Berlin for three months2011Lived & worked in Berlin for two months2010 -2011 Exhibition installer, artroom5, Adelaide2010Exhibited, lived & worked in Berlin2010 -nowCommenced working part-time at bronze foundry2009 –2008Mentor, Helpmann Academy mentorship scheme, Adelaide2008Exhibited, lived & worked in Berlin 2007Worked for 3 months at 52nd Venice Biennale, Venice, as a Visitor Service Officer2005Worked & traveled throughout Europe, exhibited in Berlin2005 –2004Exhibition installer, Nexus Gallery, Adelaide2002 -2001Designed visual interface for Distancea Parallelo new media / theatre project, Adelaide2001 -2000Artsworker, Terrazzo Today Fogolar Furlan Italian community and Nexus, AdelaideSept -Dec 2000Residency, new media, Media Resource Centre, AdelaideFeb -July 1998Teaching, Foundation Studies, North Adelaide School of Art1997Undertook research in Italian folk customs and practices, Italy.Feb –March 1997Teaching, Experimental Mixed Media Painting, North Adelaide School of ArtJan –March 1997Co-ordinator, Billboard Take Over ProjectAustralian Festival for Young People, AdelaideFeb –July 1996Teaching, Foundation Studies, North Adelaide School of Art1995 –1994Co-ordinator, Looking at the Billboard, 15 month billboard project, Adelaide
selected articles, bibliography, reviewspage 3John NeylonHand Over,The Adelaide Review, Issue 444, February 2017, pages 37-39Art Collector, Issue 72, April-June 2015, pages 118-119Jane LlewellynOf Obscured Significance. Visual Arts, The Adelaide Review. Issue 416, October 2014, page 36.Southern Write. SA writers Centre Inc. June 2014. Front cover image: I can’t see tomorrow.Invisiblecity, Issue 07 : Remote. desire.pages 31 -33.Invisiblecity, Issue 06 : No theme. Colours & lines.pages 31 -33.Ken Boltonhttp://aeaf.org.au/events/critical-writing.html. Archive. vol. 12,4Louise NunnBuilding Blocks, Arts Scene, SA Weekend Magazine, The Advertiser, 22.09.2012, page 21 John NeylonArt interprets historyThe Adelaide Review, Issue 373, March 2011, page 38-39Australian Art Collector, issue # 55, January -March 2011, page 304Lisa HarmsArtlink, vol.30, no 4, page 80 -81Louise NunnCutting edgeHit, The Advertiser, 02.12.2010, page 8The Last of the Wild Fish Artnotes, Art Monthly, issue 233 Sept. 2010, page 57Catherine MurphySurvival Instinct Bulletin, April –June 2009, pages 16 -21The Oceans between and the idea as a bridgeKunst, 0804, page 45Ioana VeleanuThe oceans and the idea as a bridge Exberliner, May 2008, page 38 Lauren SutterArtlink, vol. 28, no 2, page 94Louise NunnMakers and mentorsReview, The Advertiser, November 18, 2006, page12 -13Louise NunnRough work reveals images in the sandThe Advertiser, May 24, 2004, page 85Artlink, vol. 24, no1, page 76On the roadArtstate, number 01, 2004 page7Diversity, Arts in a Multicultural Australia, Australia Council, February / 2003The Garden of the imaginationArtstate, issue 24, summer 2002, page 22Wendy WalkerExploration of textured landscapeThe Advertiser, 10-10-2001, page103Kieran FinnaneBetween beauty and theoryArtmonthly on line, reviews, 15-08-2000Neil FettlingTheorising the regionsArtlink, vol. 20 #3, September 2000, pages 13, 57-59Stephanie RadokMildura’s PalimpsestReal Time, June July 2000, No 37, page 11Stephanie Radokfootnotes from a peripheryAdelaide Review, # 191, August 1999, page 36Tim LloydFront page viewsThe Advertiser, 31-07-1999, page 50Stephanie RadokWorld enough and timeAdelaide Review, No 181, October 1998, page 37John BarbourCritical art in the cityBroadsheet, vol. 26, no 2, Winter 1997, page 21Mark ThompsonBlokes & ShedsThe return of thrift, pages 22-23, Harper Collins, AustraliaMark StephensBroadsheet, vol. 24, no 1, Autumn 1995, pages 15 18Sheree Tirrellarts monthly, The Advertiser, January 1995, pages 10-11David O’HalloranThe Advertiser, 03-11-1993, page 23Louise DauthArtlink, vol. 12, No 4, Summer 1992 / 1993, page 5Catherine KenneallyAgenda 23, May / June 1992, page 27awards, grants, residencies2016Project Grant. ArtsSA 2014Project Grant. Arts SA2011Eran Svigos award for best visual art, 2011 Adelaide Fringe2008Artist Grant, ArtsSA2005Project Assistance Artist Grant, Arts South Australia 2002Selected for inaugural Kultour from South Australia, Australia Council & Nexus2001Residency, Media Resource Centre, Adelaide1996Dept for the Arts and Cultural Development, South Australia1995Pat Corrigan Artist Grant, National Association for the Visual Arts1994Pat Corrigan Artist Grant, NationalAssociation for the Visual Arts 1994Dept for the Arts and Cultural Development, South Australia1993Pat Corrigan Artist Grant, National Association for the Visual ArtsCollections2017Unley Museum Collection, Adelaide, Australia2016aac archivio arte contemporanea, numero civico cultural association, Rovereto, TN. ItalyPrivate collections throughout Australia and Germany 2009Mildura Arts Centre, Victoria, Australia 2009 Migration Museum, A Division of the History Trust of South Australia, Australiatertiary studies1991 –1989Bachelor of Arts, Visual Arts, University of South Australia, Adelaide, Australia1988 –1987Associate Diploma in Art, North Adelaide School of Art, Adelaide1986Certificate in Art, North AdelaideSchool of Art